And What Do You Do, Mr Gable? by Richard Flanagan

By Richard Flanagan

The accumulated brief items of nonfiction from considered one of Australia's most sensible novelists. 'And what do you do, Mr Faulkner?' requested Clark Gable after being brought to William Faulkner at a celebration. 'I write,' responded Faulkner. 'And what do you do, Mr Gable?' accumulated the following for the 1st time are some of the best of Richard Flanagan's wide-ranging, free-wheeling writings on every thing from directing movie and writing novels to a close to deadly kayak journey; from baking bread to bushfires to paintings to warfare; from Kosovar refugees at the run to Jorge Luis Borges to his celebrated essay at the rape of Tasmania's forests, credited as a key to halting Gunns' billion buck pulp mill. glowing, relocating and continually dazzling, this can be exhilarating analyzing from certainly one of Australia's top writers.

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OUSTINOFF, Michaël (2011) : Traduire et communiquer à l’heure de la mondialisation, Paris, CNRS Editions. POP, Liana (2003) : Româna cu sau fără profesor, Cluj, Echinox. THOMSON-KLEIN, Julie (1996) : Crossing Boundaries. Knowledge, Disciplinarities, Interdisciplinarities, University Press of Virginia, Charlottesville (USA). VENUTI, Lawrence (1995) : The Translator’s Invisibility. A History of Translation, Londres, Routledge. 44 UNE « RENVERSANTE » HISTOIRE DES TRADUCTIONS EN LANGUE FRANÇAISE Muguraş CONSTANTINESCU 1 Abstract : The paper is a critical survey of the recently published Histoire des traductions en langue française, XIXe siècle.

Ce n’est pas enfoncer une porte ouverte que le dire : c’est la première fois qu’un ouvrage est consacré à la question en France dans cette optique à cette échelle. En effet, si l’on considère que seule compte l’œuvre originale et que toutes les traductions sont secondaires par rapport à elle, faire l’historiographie des traductions passées, présentes et à venir n’a aucune importance. A l’intemporalité des chefs-d’œuvre de la littérature répond le rejet de leurs traductions hors du champ de l’histoire.

One of the great changes in the humanities in the last half-century has been the multiplication of the voices expressed in texts, or to switch from an aural to a visual metaphor, the multiplication of perspectives or points of view, in anthropology, sociology, literature and other disciplines as well as in history. (Burke, 2010). Ce que l’on peut constater, c’est que Peter Burke se place du point de vue de sa propre discipline, à savoir l’histoire culturelle et, plus précisément encore, de sa spécialité, la période moderne (Early modern history).

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